March 20, 2014 --- Dinosaurs once again roam the earth when the spectacular production, WALKING WITH DINOSAURS THE ARENA SPECTACULAR, based on the award-winning BBC Television Series, returns to North America this summer. The show that critics have called ‘awesome’, ‘spectacular’ and ‘breathtaking’ will commence a new tour in Cleveland from July 9-13, 2014.  This updated production will showcase changes to the dinosaurs based on the latest scientific research including the likely feathering of some species. Worldwide, more than eight million people have seen this show in 243 cities and over 2,000 performances.   

Following Cleveland, the tour will visit Anaheim, Auburn Hills, Brooklyn, Edmonton, Kansas City, Los Angeles, Milwaukee, Montreal, Newark, Oklahoma City, Ottawa, Phoenix, Portland, San Diego, San Jose, Sacramento, Salt Lake City, Saskatoon, Tacoma, and Victoria, with additional cities to be added.   For tour information please visit www.dinosaurlive.com.

WALKING WITH DINOSAURS THE ARENA SPECTACULAR is produced by Global Creatures headed by CEO Carmen Pavlovic.  Pavlovic said, “I am thrilled that WALKING WITH DINOSAURS THE ARENA SPECTACULAR is coming back to the US in July - its first visit to North America since its inaugural 2007 sell-out tour. A new generation is ready to experience these life–size beasts in this awe-inspiring spectacle, which has still not been matched in terms of scale and quality. Many of our creatures have “evolved” since the last tour, now featuring distinctive display feathers, head crests and tail fans, reflecting recent discoveries about the physical nature of these massive creatures. This show remains a must-see for audiences of all ages.”

The show depicts the dinosaurs’ evolution with almost cinematic realism. WALKING WITH DINOSAURS THE ARENA SPECTACULAR has scenes of the interactions between dinosaurs, how carnivorous dinosaurs evolved to walk on two legs, and how the herbivores fended off their more agile predators. 

Ten species are represented from the entire 200 million year reign of the dinosaurs.  The show includes the Tyrannosaurus Rex, the terror of the ancient terrain, as well as the Plateosaurus and Liliensternus from the Triassic period, the Stegosaurus and Allosaurus from the Jurassic period and Torosaurus and Utahraptor from the awesome Cretaceous period.  The largest of them, the Brachiosaurus is 36 feet tall, and 56 feet from nose to tail.  It took a team of 50 – including engineers, fabricators, skin makers, artists and painters, and animatronic experts – a year to build the production.

The history of the world is played out with the splitting of the earth’s continents, and the transition from the arid desert of the Triassic period is given over to the lush green prairies and forces of the later Jurassic.  Oceans form, volcanoes erupt, a forest catches fire -- all leading to the impact of the massive comet, which struck the earth, and forced the extinction of the dinosaurs.

The show originated in Australia, where after years of planning, WALKING WITH DINOSAURS THE ARENA SPECTACULAR came to life at Sydney’s Acer Arena in January 2007. 

The 20 dinosaurs were originally “hatched” by Sonny Tilders, the head of creature design at Creature Technology Company in a Melbourne Docklands workshop big enough to park a 747.  

The show proved itself such a sensation, that the North American tour was fast-tracked, where it quickly became one of the leading arena attractions. The only building large enough to house rehearsals for the dinosaurs– some as large as 36 ft tall by 56 ft long - was the Greater Tacoma Convention and Trade Center!

Soon after this successful season, WALKING WITH DINOSAURS THE ARENA SPECTACULAR went onto conquer Europe and Asia.   

WALKING WITH DINOSAURS THE ARENA SPECTACULAR has been seen on The Today Show, Good Morning America, Live with Regis and Kelly, and has been written about in Newsweek, The New York Times, the Christian Science Monitor and The Wall Street Journal. It was the subject of a Discovery Channel Really Big Things episode and a video clue category on Jeopardy.

During its North American tour (2007-2010), the production won the THEA Award for Outstanding Achievement in Touring Event and the Billboard Touring Award for Creative Content as well as the Pollstar Concert Industry Award for Most Creative Stage Production and the ILMC Arthur Award for Best in Show.  The THEAs recognize excellence in the creation of compelling educational, historical, and entertainment projects; and both the Billboard Touring Award and the Pollstar Concert Industry Award recognize a show or tour that creatively expands what is offered on the road. The ILMC (International Live Music Conference) Arthur Award for Best in Show recognizes theatre shows and family entertainment.

Artistic Director William May developed the creative vision of the show based on an original idea by entrepreneur Bruce Mactaggart to create an arena version of the Walking with Dinosaurs television series.

 A talented and experienced team of creative artists came together to produce WALKING WITH DINOSAURS THE ARENA SPECTACULAR. The show is directed by Scott Faris, a Broadway veteran who has worked side by side with Harold Prince, Trevor Nunn, Michael Blakemore, Gene Saks, John Caird, Tommy Tune and Jerry Zaks.  The creatures are designed and built by Sonny Tilders; the set and projected image design are by Peter England; the show’s lighting is by John Rayment, the score was composed by James Brett; and Warner Brown wrote the script.

Tim Haines, creator and producer of the original BBC series, which was seen by a worldwide audience of 700 million, serves as Project Consultant to WALKING WITH DINOSAURS THE ARENA SPECTACULAR.  The series won six Emmy and three BAFTA Awards.

Variety said, “The dinosaurs are stunning, life-size and faultlessly nimble. In act one, the beasts parade into the arena gnashing and cavorting as a safari-suited paleontologist describes their attributes … in the second half, the action cranks up, culminating in a spectacular clash as a T-rex mom defends her baby from predators. Sonny Tilders' triumphant creature design ensures ‘Walking With Dinosaurs’ is a truly spectacular spectacular.  It is everything a dino-phile could want.”

The New York Times said that in this show dinosaurs make "a thundering comeback after 65 million years."

The Christian Science Monitor said, “When the dinosaurs start pouring out onto the stage, if you don’t have to stifle the natural flight response of any living breathing being, then it’s your pulse that needs checking.”  Newsweek called the show, "that rare entertainment beast that parents and kids can enjoy together."

Artistic Director, the late William May, was known around the globe for co-producing shows with Malcolm Cooke for the past 30 years, including The Hobbit and The Lion, The Witch and the Wardrobe.  He produced Marilyn An American Fable on Broadway and co-composed and wrote the musical Always for the West End.

Director Scott Faris directed Michael Crawford in EFX at MGM Grand Hotel in Las Vegas, which at the time was the biggest stage production ever conceived, and was on the production team that created Siegfried & Roy at the Mirage Hotel.  Faris directed Chicago the Musical in 16 countries around the world in over a dozen languages and William Shatner’s one-man Broadway show Shatner’s World, as well as acting as resident director on the Broadway productions of Les Misérables, Cabaret, Cats, and Grease and as a directing consultant for Cirque du Soleil.  He directed Bette Midler in The Showgirl Must Go On at Caesars Palace Las Vegas and George Lucas Super Live Adventure in Japan.

Faris said, "We take the audience on a journey back in time and show them how the dinosaurs might have actually looked in their prime - huge, sometimes frightening, sometimes comical monsters - that fought for survival every day of their lives.  Our dinosaurs move exactly like they are real -- with all the roars, snorts and excitement that go with it.  The realism is mind-blowing!"

Sonny Tilders, who designed and built the creatures has been, for the past decade, one of the major creative forces of the high-tech world of animatronic puppetry for film and television.  He designed the Global Creatures/Dreamworks production How To Train Your Dragon Arena Spectacular, and created the lead character in the Australian stage production of King Kong, which had its world premiere season in Melbourne, Australia in 2013.  He was one of the lead animatronic engineers for Jim Henson’s Creature workshop on the Farscape series, followed by work on Star Wars: Episode III – Revenge of the Sith, Peter Pan, Ghost Rider and The Chronicles of Narnia.

Tilders said, “Many of the technologies we are using on WALKING WITH DINOSAURS THE ARENA SPECTACULAR are borrowed from film. The computer software and hardware we have developed is based on the systems used to control animatronic creatures in feature films.”

“To make it appear that these creatures are flesh and blood weighing six, eight or even 20 tons, we use a system called ‘muscle bags,’ made from stretch mesh fabric and filled with polystyrene balls, stretched across moving points on the body.  These contract and stretch in the same manner that muscle, fat, and skin does on real creatures.”

“The puppeteers use ‘voodoo rigs’ to make many of the dinosaurs move.  They are miniature versions of the dinosaurs with the same joints and range of movement as their life-sized counterparts.  The puppeteer manipulates the voodoo rig and these actions are interpreted by computer and transmitted by radio waves to make the hydraulic cylinders in the actual dinosaur replicate the action, with a driver hidden below the animal, helping to maneuver it around the arena.”  Suited puppeteer specialists, who are inside the creatures, operate five of the smaller dinosaurs.

Warner Brown wrote the script of WALKING WITH DINOSAURS THE ARENA SPECTACULAR. He is an accomplished writer whose works include the book of the musical Flickers on Broadway, the screenplay of Nijinsky for Regent Entertainment, the musical The Black and White Ball, which features music by Cole Porter and The Truth About Light, written with composer Jimmy Roberts.  Other credits include a new version of Half A Sixpence for the West End in 2008, Garbo – The Musical with music by Jim Steinman and Michael Reed, playing in Europe, and the plays and musicals Scandal, The Biograph Girl, Six for Gold, Cinderella, Talullah for a Day and Dance for Life.

The score of WALKING WITH DINOSAURS THE ARENA SPECTACULAR is by James Brett whose work can be heard in the films The Event Horizon, The Iron Giant, Frequency, X-Men The Movie, Band of Brothers, Outpost, 10,000 BC, Alien vs. Predator, Ella Enchanted, The Life and Death of Peter Sellers, two seasons of the TV show HEX, and the global arena show Batman Live.  He also helped create the groundbreaking collaboration between Metallica and the San Francisco Symphony; the album has sold over 5 million copies worldwide.

The sets and projections are by the multi-award winning designer Peter England whose work has toured the world extensively. A frequent collaborator at Opera Australia, the Australian Ballet and Bangarra Dance Theatre, he also designed sections of the 2000 Sydney Olympic Games Opening and Closing Ceremonies, three City of Sydney New Year's Eve Celebrations and in 2002 was a finalist in the international design competition for the Pentagon Memorial in Washington DC. His latest award-winning work was on the production design for King Kong which had a hugely successful 8 month run in Melbourne, Australia before heading overseas.

Lighting Designer John Rayment lit the Opening and Closing Ceremonies of the 2000 Sydney Olympic Games; Hong Kong’s original A Symphony of Light, a massive cityscape permanent lighting display involving over 18 buildings; Singapore’s 2002 National Day Parade stadium event; and Singapore’s Marina Bay annual New Year’s Eve Countdown display.  Rayment also works frequently at Opera Australia and has lit 30 productions for Sydney Dance Company.

Sound Designer Peter Hylenski is a Tony and Olivier Award nominated sound designer. He spends much of his time designing Broadway productions such as Shrek, the Musical, Rock of Ages, The Wedding Singer and Sweet Charity. Peter has also designed shows for Radio City Music Hall, Carnegie Hall and Madison Square Garden. Recently he co-produced the cast album of Shrek, the Musical for Dreamworks and was the sound supervisor on his fourth film for the American Museum of Natural History in New York titled Journey to the Stars. For Global Creatures, he was sound designer on the Australian productions of How To Train Your Dragon Arena Spectacular and King Kong, winning the 2013 Helpmann Award for the latter.